Showing posts with label architect. Show all posts
Showing posts with label architect. Show all posts

Saturday, May 29, 2010

Totem


Jung tells us that “The ancestral spirits play an important part in primitive rites of renewal. . . . This atavistic identification with human and animal ancestors can be interpreted psychologically as an integration of the unconscious, a veritable bath of renewal in the life-source . . . .” *

The Dream: Near the door of the house is a totem, going from the top of the entry way to its floor. The entry way is very tall; the style of the house a combination of Spanish hacienda and 20th c. contemporary. The totem is a bas relief. The shape near the door first appears to be a tear-drop, but part of it morphs into something like the head of a bull. Other shapes flow from this to the ceiling where the totem wraps overhead. Colors are rich: reds, greens, ochres: a painted wood look. One shape is an antique looking sun. It’s modernist and old-fashioned (primitive?) at the same time.

I don’t like it and wonder if Clark put it there without consulting me. Then I realize it came with the house and is the work of a famous architect. I try to like it.

Interpretation:
I come out of my house (myself) through a door (changing from one state of awareness to another) and see this very ancient complex representation of myself: a totem. I am an expression of my genetic history:  a carrier in time and space of the life force of my ancestors. I try to dissociate from this unfamiliar way of seeing myself (I blame my other half for putting up the totem) but soon realize it came with the house (it’s who I am). Reconnecting with the archaic part of my psyche will result in a kind of rebirth. Jung again: “The case before us proves that even if the conscious mind is miles away from the ancient conceptions of the rites of renewal, the unconscious still strives to bring them closer in dreams.”**

*C.G. Jung, Dreams, translation by R.F.C. Hull, Bollingen Series XX from The Collected Works of C.G. Jung Volumes 4,8,12 16 (New Jersey: Princeton University Press, 1974) 205
**C. G. Jung, op. cit., 211

Saturday, February 27, 2010

Baring the Breast


Have you ever had a dream that seems to resolve a previous dream? Jung tells us that this is to be expected, and that it is part of our natural psychic regulation. This is similar to the way natural physical adjustments take place, for example, sweating to cool the body when you get too warm. In my chat with Jane Teresa Anderson (Episode 44 of The Dream Show) she pointed out that the title of the dream The Bodice Ripper could refer to an opening (exposure) of the heart. I had this dream the night after our chat.

The Dream: I am sitting at a table of arty and intellectual architects. After a while I realize I have no clothes on above the waist. One of the men comes and sits next to me, kissing me on the cheek and saying, “I’ve missed you.” I notice the softness of his youthful face, although his hair is thinning and he must be in his 40s. I say, “I’ve missed you, too.” His name is at the edge of my awareness but I don’t quite get it. We’re happy to be together but can’t think of anything to say.  I notice my bare breasts and think I should cover up, but do nothing about it.

Interpretation: The bodice is off; my heart has opened. The rapprochement is not only with the part of me that can deal with the outer world (my animus) but also with my first image of a man, my father. The exchange about missing each other refers to my grief over his death. That I am sitting with a table of architects tells me that something new is being built.