Showing posts with label castle. Show all posts
Showing posts with label castle. Show all posts

Wednesday, August 10, 2011

The Synthesis


Occasionally a dream echoes the structure of a myth, revealing where we are on our life journey. 

The Dream: I find my way to a mountain-top home, a castle-like structure overlooking the surrounding countryside, hilly terrain like the semiarid northern California coastal range. I’m in a turret, with windows on 3 sides. At first there are no other structures to be seen. Later I see what at first appears to be a brilliantly white spire topping some sort of temple rising above the hills. Then I see a very large building that obscures the temple; it looks like the scaffolding of a large office building but has a silvery, glowing quality that makes it difficult for me to figure out exactly what I’m seeing. I soon realize that my confusion was created by a cloud behind the scaffolding. It moves off to the left and the bare bones of a building under construction are revealed.

Back to me in the strange room: I’m in a room to the right of the turret. A crude ladder made of wooden slats, again like a framework or scaffolding, leads to the upper floors. I attempt the climb, initially unafraid, but when I get to a broken slat I recall that I’m afraid of heights, and I find I can’t go on. I back down the ladder.

I see a very gruff Russian man. He is stocky, a little paunchy, and has dark hair surrounding his bald pate. He appears to be a workman; he doesn’t speak. Yet it seems he has alerted the woman in charge, who scampers down the ladder. She is also Russian and approaches me accusingly, suspecting me of espionage. For some reason, when she demands to know my name, I give her the Russian version. Her manner at once changes; she’s gotten the idea that I am of royal lineage. She becomes pleasant, even sycophantic, and no longer wishes to bar me from the ascent. However, my own fear of heights prevents it.  I expect the workman to repair the broken slat, thinking that if here were to do so I could perhaps manage the still scary venture—but he makes no move in that direction.

I see that the gruff, bouncer-type man has a notebook. He has written a story about the woman and illustrated it. I am surprised at the sensitive and beautiful quality of his work; even though he’s left many drawings unfinished his talent is apparent. In some of his drawings the women are headless. “You are very talented,” I tell him. It’s a surprise in someone so apparently brutish. He is no longer mute, but very humble: “You are extremely talented,” he says to me. I wonder how he could possibly know that, since I have none of my work with me. We spend some more time, each of us trying to convince the other of his (her) talent.

Interpretation: My dream group helped me with this one. The dream represents a partial victory in the myth that represents my life, but also tells me I have work to do. My first challenge is getting to this difficult spot. I didn’t record the very earliest sequence of the dream, but it was about the steep path up to the strange castle. What do I see from this outlook? Is it a temple, or is it an office building. Do I pray here or do I work here? What I see from my three-windowed turret symbolizes my state of being, a mental space where work and spirit have melded.

My (spiritual) ascent is stopped by a ladder’s broken rung. The thing in need of repair centers on figures from my youth, the scary Russians who made up my family. My first task is to accept myself; I symbolically do this by owning my Russian identity, and this quickly disarms both of the threshold guardians. The woman changes from a hostile force to a benign one, and I realize the complexity of the man, who until now had seemed only brutish. The man symbolically tells me that the wellspring of creativity isn’t particularly genteel; it’s his earthiness and lack of pretension that gives art its life. The women he depicts are headless; his force is not of the intellect.

Ultimately it’s my own fear that stops me, not the physical limitation of the broken rung. The dream tells me that I mustn’t expect someone else to fix it.

Sunday, July 31, 2011

Putting My Garbage Out Front


The Dream: I live in a contemporary style house, which suits me since it will accommodate my contemporary furniture. The house is very plain in front, set into a low spot: the curb is higher than the entry. In the front a recessed section strikes me as a good spot for the garbage cans, and I remark that no one will see them because of the way the house is situated.

Interpretation: I've come to a point where my world (my house) and what's valuable to me (my furniture) are harmonious: they are the same style. But I have created something of a fortress for myself; there are no windows looking out onto the street (the larger world) and the curb (symbolizing a limitation) is high. What do I offer the world? My garbage. Even here I waffle about being open and honest (coming clean): while I put my garbage out front, I hope like hell nobody will notice it.

Thursday, September 2, 2010

Difficulties of Leadership


The Dream: We are going up a mountain in a rural setting; the landscape is fresh and beautiful, damp and fragrant like a primeval forest. I am on horseback, leading an expedition. My horse pulls some colorful, old-fashioned vehicles that look like circus cars. I am concerned that the cars might fall off the side of the mountain when I go around its sharp curves.

We get to a black tunnel which we must transgress before getting to the top, our destination. I see nothing in the pitch black. My left eye feels clogged: I can’t keep it open.  I am very sleepy. In order not to lose my followers over the edge I try to stick to what I “feel” is the inside track.

Friday, February 26, 2010

Bodice Ripper Scene 5


The plot seems to be advancing very slowly, but I know what’s going to happen. While the Estate and the people still appear to be from the 18th c, World War II has begin. A great social change is in the works. The castle walls with their crenelated surfaces are covered with missiles and rockets to be used against the Axis powers. Yet I know the Nazis will prevail and this land will be occupied by the Germans. The Lady and the Viscount will hide an Asian woman from the racist occupiers.

I see a small attic access point in the ceiling. It has a couple of pieces of cloth hanging from it. At first I think that this is where they will hide the woman but then I think No—that’s too obvious. They know every nook and cranny of this vast estate, and they will find a secure hiding place. It also occurs to me that the practiced artificiality of their lives—the fact they are hard to “read” and don’t show what’s going on with them—will make it easier for them to fool the Germans.

Interpretation and conclusion: The new psychic center, as represented by the union of Viscount and the Lady, has become strong enough to take on a new challenge. The problems of my past recede; change is at hand, and a new battle must be fought. I fortify myself with missiles and rockets against my long-standing nemesis, my inner Nazi. A foreigner (the Asian woman) represents my repressed or unexpressed parts. The united psyche works to find a safe place to hide her from the rigid, overbearing, and limiting collective consciousness, absorbed by me long ago and symbolized by the Nazis. The elaborate cover up of the 18th clothing is no longer important; it’s replaced by a couple of pieces of cloth hanging from the attic, where I at first I think the Asian woman will be given refuge. But she will not reside in my head (the attic); the new psyche will find the proper place for her.

This dream has been interpreted by the well-known dream worker Jane Teresa Anderson in Episode 44 of The Dream Show.