Showing posts with label drawings. Show all posts
Showing posts with label drawings. Show all posts

Sunday, November 29, 2015

A Friend Likes What I'm Building


When people you know appear in your dream, think of their most dominant quality and ask yourself if they might be representing the part of you that shares that trait. You'll see that question and answer play out in the following dream.
The Dream: A friend pulls something I've discarded out of the trash from my studio. On one side is a splash of paint, a color test. On the other is a drawing of a building. My friend likes the drawing of the building very much, and I tell her that I did it. She smiles and puts it into her purse.

Interpretation: This particular friend is very critical, and so I tried out the idea that she represents my own inner critic. But she likes my building (the thing I'm building, or creating). She shows this by putting my work into her purse, a place where valuable things are kept. That can only mean that my own inner critic is satisfied with the direction I've taken. This dream, like the last one I posted, point to the fact that I'm on the right track, despite my conscious confusion and misgivings.

Sunday, February 22, 2015

A Portrait


The Dream: A woman and I are sitting at a table, across from each other. We're each drawing portraits, straight-on heads. I am the teacher. She's very skillful; my criticism of her work is that it lacks feeling. I take her drawing and, with her permission, make corrections. I change the mouth, making it a vibrant pink and somewhat pouty, or sensual. My other criticism is that the portrait is vague: it's very soft and lacks definition, with one color bleeding into the next.

Interpretation: The Unconscious gives me a drawing lesson! The artist I'm instructing in this dream reminds me of an egg tempera painter who wanted to meet me; she came to my house as an acolyte. When she showed me her paintings it was clear that she was highly skilled—more so than I—in handling the medium. Yet she was not satisfied with her work because, she said, it lacked imagination. This was true. As with many painters, her skill exceeded her conception. Yet she loved painting, and enjoyed her chosen subject matter. Of course I complimented her skill. I said that it only made sense for her to do what resonated with her. I suggested keeping a dream journal if she wanted to develop some original ideas.

In the dream I admire the artist's skill but feel she needs more expression, as symbolized by my “fixing” the mouth, the organ of speech. So the message for me is, of course to express myself.

When I tried drawing the face this artist drew in the dream I learned something about how to use color pencils—that is, very softly and delicately, building up color with gentle iterations. I tend to jump to the finish immediately, and that can make me heavy-handed, a hard thing to recover from! So the dream taught me this about self-expression: take it easy; let it develop; don't jump in with too much clarity and definition. The things I criticize in the dream artist are exactly what I need to do.

Wednesday, February 20, 2013

Polly's Gift


The Dream: A birthday gift from Polly has arrived. She made me a book with an unusual format, very long and narrow. The cover is turquoise with black ink splatters. Inside, the book reveals elegant and very accomplished drawings in shades of gray. It displays such sophisticated talent and skill that I am both surprised and envious. I ask Polly if she has been taking art lessons and she says yes. The drawings are not realistic, but the well-informed figures are beautifully drawn, and each page is beautifully, and apparently effortlessly, designed. I'm very impressed, and I envy her talent.

Polly calls to see if I've received the book and says she's surprised it arrived so quickly, although she grouses about the delivery cost. When I tell Polly the book has arrived she says she'll be right over, and suddenly appears, even though she lives on the other side of the country. We sit next to each other on a sofa looking through the book. Meanwhile, one of my children has vomited onto the rug in front of us. I don't remember exactly how we react; I think we try to ignore it while being aware I'm going to have to clean it up, although I make no move to do so.

Interpretation:
That the book is given to me on my birthday tells me that this dream is about a transformation (birth). A book is something that imparts knowledge, and because it is long and narrow the dream might telling me that I need to expand my outlook. The color turquoise is associated with intuition; the splattered ink tells me that there are some limitations (blots) on mine. When I look inside, the book shows me some work on a level I don't feel capable of. Do I need to look inside myself to discover what my true capabilities are? When Polly complains about what it cost to deliver this book she acknowledges the sustained effort it takes to accomplish something worthwhile.

As Polly (my inner artist) and I look through this book, a small part of myself (my child) expels some very strong feelings (vomits). That she vomits onto a rug, something that is walked on and also something traditionally connected to status, gives me some hints about what those feelings are about. In this case, the fact that I make no move to clean it up (to suppress the strong feelings) is a good thing. That might, in fact, be the birthday gift that my unconscious has given me.

Sunday, March 25, 2012

Original


The Dream: I go outside from a house where I used to live onto a deck with several picnic tables off to the right side. They are populated with sightseers. I am looking for a place to sit and do a drawing. Finally I find an empty place at a table where several other people are sitting. A young round-faced woman sits across from me. She has a black eye (her right eye). She asks what I’m drawing, and I tell her it is a dream drawing. “Oh,” she says, “why don’t you do something original?”
I am surprised. “These are original!” I say.  
I leave the deck, noticing a low utilitarian gate opening onto the driveway that goes to the house.

Interpretation: I seem to be going in circles in this dream. First I’m in the house, then on the deck outside, and then see a path that leads back to the house. Something has me stuck in this house, and whatever it is makes it difficult for me to be original. To figure out what that’s about, I’ll look at the word “original.” Incased in the word is “origin.” Something about this loop is connected to my origins. To do something original means to do something that truly reflects who I am at my most basic—in other words, at my point of origin—where I start (originate) to define my unique self, what Jung calls individuation.
The visual is highly symbolic, as we can tell from the sight-seers (double emphasis on seeing with a dollop of mystical foresight: that is, seers.) The other actors in the dream are on the right; in this dream they represent my desire to do the “right” thing, the acceptable thing. Why does the person demanding originality have a black eye? Perhaps she is my black (unacceptable, secretive, mysterious) I (self). If I take the gate back to the house (my usual self) I am passing into the utilitarian, abandoning the possibility of discovering my own originality.

Wednesday, September 7, 2011

Taking In Something Valuable


The Dream: I’m at a large gathering, which goes on for days. I am looking at some beautiful old architectural drawings that someone threw out and someone else has retrieved. In the mix are lovely old pamphlets. I think these might be valuable and wonder how they would be priced by The Antiques Road Show. I am glad these things were rescued and surprised anyone would want to throw them away. The architectural drawings are of a beautiful old brick house, two stories.

The party goes on and on and I find I’m very tired. People take this as an indication that I don’t like them, and I try to explain. “No. I’m only tired. I’m an introvert and all this activity wears me out. I just want to go read a book.”

Interpretation: The old things that have been rescued tell me that I’ve made peace with my past, discovering things of value there that deserve appreciation. The old architecture (the person I was) has been retrieved. Once I’ve rediscovered these valuable but once rejected parts of myself I take them in (introvert) and look for some solitude in which I can study (read a book) the new things I’ve learned.