Bodice Ripper Scene 2

Dream Scene 2: The marriage has been celebrated, and it is the wedding night. The Lady and the Viscount are in a cloakroom or closet which is situated behind the bedroom. They share one bedroom. The lady, new to this class and situation, looks to her husband for clues on how to behave. He disrobes; she observes him in his 18th c shirt with no trousers. He takes off his clothing layer by layer, placing it on hangers, and puts the hangers on hooks that protrude from the wall. She is surprised by such tidiness, having thought that this would be a job for the servants. She mimics her new husband: disrobing, placing her garments on hangers, and hanging these up. It is a passionless scene, and, as I observe, I run varying scenarios for the wedding night. Will the husband be concerned about his new wife’s pleasure or merely do the deed? Is the Lady a virgin? If so, will she be able to enjoy the act? If not, will the Viscount be seriously displeased?

Interpretation: The wedding represents the tentative union of two aspects of my psyche, represented by the Lady and the Viscount. The closet is the storehouse for my attitudes and emotions; its location behind the bedroom means the relationship we’re observing is intimate, close to the core of my being. What about the emphasis on clothing? The Viscount takes the first step in revealing himself by taking off his clothes. Not entirely comfortable, but not knowing what else to do, the Lady follows suit. By emphasizing the passionless nature of this encounter the dream tells me again that this union is more like putting a toe in the water than diving in. For Jung--unlike Freud who would probably describe inhaling as a substitute for penetration--even sexual intercourse is not necessarily about sex in a dream. And I think you can see its symbolic relevance here as I conjecture about the physical union, not at all sure how successful the joining of these two will be.

This dream has also been interpreted by the well-known dream worker Jane Teresa Anderson in Episode 44 of The Dream Show

A Bodice Ripper

Do you find that certain images recur over time in your dreams? There’s a force I’ve come to call my “inner Nazi” that appears and reappears. It’s oddly tacked on to the end of this long dream that starts more like a bodice ripper. I’ve broken this dream down into five segments.

Dream Scene 1: A young woman, certainly not a member of the nobility, marries a Viscount. The dream is set in a Nordic country; both the Viscount and the Lady are tall, very attractive, and blonde. Initially, the dream appears to be set in the 18th c, judging by the clothing. Panniers are not in evidence, but the clothing is long, bodices are tight, and undergarments are long, white, and ruffled. This might not be a love-match. The man wants an heir and is attracted to the woman’s beauty. The woman is making a large leap socially. Both are very concerned that the woman’s behavior should be correct and appropriate.

Interpretation: The roles characters take on in your dream represent your different abilities and weaknesses. In this dream I see a beautiful, naïve, undeveloped part of me (the lady) that is striving to unite with a stronger, noble part (the Viscount). My Lady aspect is socially uncomfortable and not sure how to behave. My Viscount aspect (Vis-count, I count!) is most likely an animus figure (a woman’s inner man) which needs unification with the Lady, symbolized by his desire for an heir.  At this point in the dream this is an uncomfortable marriage, a marriage of convenience. The tight bodice suggests I’m feeling restricted, which is further emphasized by concern over the woman’s behavior. Set in the past, the dream deals with a long-standing issue.

This dream has also been interpreted by the well-known dream worker Jane Teresa Anderson in The Dream Show.