The Tree House

The Dream: I am with three people: a young dark-haired Frenchman, a girl of about 8 to 10, and Aunt Peggy. I know an English pub nearby that has a tree-house over a stream, and I want to show it to the young man who doubts it exists. I find the place. The tree-house has changed a lot since I last saw it. The structure looks far more planned and sturdy, as if lawyers had warned the owner about getting rid of potential hazards. It has lost a lot of its charm, but at least it's still there. It has an unusual staircase, very narrow at the bottom as if to make it impossible for an adult to gain access. I wonder if I can squeeze myself into the narrow stairwell and if I do, whether or not it will be possible to get down again. Then I notice there are some wider stairs on the other side that I could use. Nevertheless I squeeze myself into the narrow staircase and go up to the house over the stream. The four of us are at the top, wandering around. All enjoy it, but I feel it’s become too industrial, not like the more human and haphazard children’s structures of my youth. This place--too sturdy, over planned, mechanical—has lost its soul and poetry.

Interpretation: This dream reinforces what the previous dream was driving at: I’ve lost some valuable part of myself that is connected to childhood. I’ve become too rigid (the structure looks planned and sturdy).  This elevated trait of childhood (represented by the tree house) still brings pleasure, but is in danger of being changed to the point of its annihilation. The dream is pointing out the danger (losing soul and poetry) of being too careful.

Bogart or Redford: The Bull

Continued from yesterday:
Dream Scene 3: Now I find myself in cow country. I still want to be reunited with Robert Redford. I decide the fastest way to get back to the pub (where we are to meet) is to ride a bull. And the way to get the bull to run the fastest is to hang in front of him from his horns. I position myself thus, thinking he will be angry and try to gore me, running very fast to get to me—but of course won’t be able to because I go with him. We get to the pub; I scuttle the bull at the swinging doors of the place that now looks like the bar in a 50s Western. The bull sits on his haunches quite tamely, looking rather sweet.

Interpretation: Again hints that I’m struggling with the feminine/masculine continuum. Cow country represents the female side of my nature; the bull represents my forceful, masculine energy. I decide to take the bull by its horns. I harness his energy to get me where I want to go; suddenly he is no longer a frightful creature.

Bogart or Redford: The Expedition

Continued from yesterday:
Dream Scene 2: The pub sits on top of a mountain.  The proprietor of the pub and I and one other woman go outside; we’re now at the base of the mountain standing on a small wooden bridge that straddles a shallow gully. I am lecturing the other women on the difficulties of wallpapering: the need to match the pattern, etc. They are bored. I feel they don’t comprehend the difficulty of the job and that’s partially the reason they do shoddy work.

The bridge inclines upward. As I follow its tilt I decide to take off and fly, surprised that I’m capable of it. After a short distance I decide I will continue to fly up the mountainside back to the pub. I encourage the others to do the same. One resists, saying she can’t, but in time she gets over her reservations, and both women fly up the mountain behind me.

Interpretation: The mountaintop suggests the dream is dealing with something big. Many myths speak of gaining wisdom on top of a mountain; I can expect to gain new insight (a higher level of awareness).  Just as suddenly as I realize the pub is on top of a mountain I find myself at its bottom. Several symbols tell me that this is not the spot where I should be: the bridge of wood hints at unexpressed emotion (a wooden expression); the waterless gully lacks what makes life possible. The saving grace is the upward inclining bridge which I can use to cross over into something new. The surprising decision to fly tells me that I am willing to move to a higher—that is more conscious—level. Up the mountain I go, encouraging my somewhat reluctant parts to come along.

Bogart or Redford: The Pub

When you have a very long dream, one way to begin to understand it is to break it down into sections and then work on one at a time. That’s what I’m going to do with this dream. Once you’ve explored each section in depth the meaning of the entire dream becomes clear.

Dream Scene 1: Robert Redford and I are in love. I am Jane Fonda, or someone very much like her. Redford and I are going to rendezvous in a pub-like setting. Sometimes this pub looks like a bar right out of the Old West, and sometimes it looks more like an English tearoom.

The proprietor of the pub has recently redecorated. I observe this as I attempt to use the toilet. Each time I go into the hallway to look for an empty john someone scoots in before me. As I wait I notice that the proprietor has put up Jacobean flowered wallpaper off the hallway in the dining area. The wallpaper and the redecoration are pretty, but look superficial, slapped on.

Interpretation: The first two characters, Robert Redford and Jane Fonda, are actors who were in their prime during my young adulthood. If asked to describe them I would say they are attractive, superficial, and representative of the new vision of masculinity and femininity that was evolving at that time.  The pub (public house) indicates the dream is dealing with my relationship to society, and its features again reflect the masculine (50s Westerns) and the feminine (an English tea room). Searching for the toilet indicates I’d like some privacy; I wish I could get away from the social pressure of the “pub.” As for the redecorating—what am I trying to cover up? Are the changes I’ve made so far superficial?