Showing posts with label dress. Show all posts
Showing posts with label dress. Show all posts

Sunday, October 11, 2015

Collapse


Sometimes it will take you a few nights of dreaming on the same topic to clarify an on-going issue that you're subconsciously trying to sort out.  This dream gave me a slightly different understanding of the “actor” in A Long Row of Happy Dead, the previous post. And, since we've been looking at dream images, I'll point out that the dress color plays a role.

The Dream: I'm on an outdoor, open-sided stage, a platform. I fall forward, collapsing face down. My head hangs over the front edge.  People flee in all directions, afraid they'll catch what I've got. No one helps. A doctor comes forward and admonishes the others. “It's not contagious,” he says. I'm dressed in a pretty, feminine style, in a dress with a flared skirt like those from the 50s.

Interpretation: Am I ready to collapse? Actors are performers, and the key to this dream is my realization that I've been straining too hard to “perform.” I am experiencing a feeling of social isolation: people flee, and no one wants to help. I'm dressed in a feminine style that hints at my taxing “role” being mired in the obligations of wife and mother. The blue dress says I'm not happy about the situation. (Am I blue?)

I learned the feminine role in the 50s, from a mother who performed it par excellence, but at a cost to herself and to the family who became disenchanted, over the years, at her tendency to do too much and then play the martyr. My dream warns me not to do that by pointing out that it's exhausting me and has no upside: it doesn't win social acceptance or love.

Sunday, March 30, 2014

Female Rituals


The Dream: I am at an elegant women's clothing shop, wearing an attractive black dress that I bought there. I tell the saleswoman that while I like this dress, it's too large. She looks for a smaller one, but not finding it comes back with a summery white and blue dress. I think this one will be too small, but I try it on and it fits, except that it's a little constricting in the underarm area. I think I might buy this dress as well as keep the one I had been planning to exchange.

Then I'm in my doctor's office. I'm asked to get my file. Do I remember how to retrieve these old-fashioned files—the ones stored in cabinets? I find I have no trouble and pull out a thick file with my name on it. I want to know what they've written about me. Am I allowed to look? I decide it is my right, and on top it says I'm pregnant. I'm surprised and mention it to the doctor. I tell him that I'm concerned because I've had no symptoms of pregnancy, no fatigue or morning sickness. Does this mean the baby won't be healthy, might not come to term? Then I remember I do have a slight upset stomach, but I'm not sure that qualifies as a sign of a healthy pregnancy.

Interpretation: I had been reading a book by Danica Anderson about the South Slavs and their ancient rituals and religion centered around women and birth. In the dream I perform the contemporary urban female rituals of shopping and going to the doctor. In my dream a potential birth is medicalized, no longer a woman-centered event. As a contemporary woman I go to an office and a doctor for childbirth and put my life story (the file) in the hands of impersonal medical technicians. No wonder one of the dresses I've bought is black and doesn't fit, and the other feels constricting. Can what is born of this situation possibly be healthy and survive?

Sunday, October 14, 2012

Is Anatomy Destiny?


The Dream: I am at a dance with Clark. Women are wearing décolleté gowns that remind me of Anna's ballgown in The King and I. A man places a wine bottle into the neckline of a woman's dress; I wonder if it will fall out. Soon afterward as I bend forward I notice my nipple protruding from my own low cut gown. Soon my partner and I are having sex, during the dance, fully clothed. He says, “I almost came as I entered,” at the same time that I am thinking, “I won't be able to have an orgasm in this position.”

Interpretation:
I'm not in the right place (out in public) or in the right position to achieve the release I'm desiring. I feel exposed (my nipple protrudes). I associate femininity with providing nourishment, but also with something else: what does the wine bottle represent? Dionysian exuberance or numbness? The bottle is in a precarious position where it's been thrust by an unknown male, just as patriarchy thrusts its insistence that women nurture even as we try to dance. The sex, or union, that results in this situation can hardly be satisfactory. The dream tells me that I must have the inner strength to define my own role, to create my own position. It's time to stop wearing the clothes of a previous era.

Sunday, June 3, 2012

Lady in Red



As you work to figure out what a dream is trying to tell you, one thing to look for is conflict.
The Dream: I send my daughters red net fabric so they can make themselves costumes. I'm not sure they will be able to. I think I will also make myself a costume from this fabric, and I become excited about the prospect. A playful occasion is coming, some event that calls for these outfits. One part of me resists the idea of the work involved.

Interpretation: The conflict here is between work and play, and perhaps there is some confusion about the two. I am giving my (inner) children the means to be creative in a playful way, and I'm enthusiastic about joining in the fun. Then I realize that work is involved, and I am not quite so eager. This is one of the dichotomies of a life devoted to the arts. On the one hand, it's fun. On the other—it really is a lot of work. My unconscious is telling me not to get bogged down.

Sunday, February 26, 2012

Time and Eternity



Can color and texture hold a dream's meaning? Read on.

The Dream: My child is wearing a red crocheted dress over a lavender and purple silky skirt; in some way these pieces don’t go together. The child is very pleased with herself for selecting this outfit and doesn’t seem to realize the pieces clash.

Interpretation: The meaning of this dream lies in its colors and textures. The color red is associated with life (childbirth, menstruation) and death (flowing blood). A crocheted texture is rough and bumpy. Taken together, the red color and uneven texture of the crocheted dress symbolize the rough road of our lives in time.  Meanwhile, underneath, is a silky smooth violet garment. According to Tony Crisp’s Dream Dictionary, violet often “appears in dreams containing a deep sense of one’s eternal nature . . . .” My intuitive (child) awareness can accept these two apparently contradictory modes of being: temporal and eternal. (She doesn’t realize they clash.) On the other hand my reason (the adult) can’t accept the dichotomy, pointing out that the pieces “don’t go together.”

Sunday, September 4, 2011

Goosed Girl

Is my inner trickster telling me to open my eyes? Wake up?

The Dream: A man and I are at a party. A tall woman in a champagne-colored, draped-front shift stands next to us. The man pinches her bottom, then stands there looking angelic so she won’t think he did it. After he does this a couple of times I go sit by myself on some stairs, afraid the woman might think I’m the one pinching her.

A little later the woman comes over to me. The man has convinced her that I am the one who pinched her, and she's angry. I sputter my surprise and innocence.

Interpretation: This is what’s called a trickster dream, dreams in which a badly-behaved person gets the better of the dream ego. There’s an interesting pun here, since pinching is said to be a test of whether or not we’re dreaming. (For example, “When I heard I won the Lottery I pinched myself.”)  Since we are the entire cast of our dreams, in this dream I’m literally dreaming, I’m getting pinched, and I’m pinching myself. I think my inner trickster was feeling playful. The dream made me laugh, and if it has a deeper meaning I don’t know what it is.

Thursday, August 19, 2010

Clearing Out


As I was drifting off to sleep last night I was bothered by the low level, but chronic, pain left over from a bout of sciatica years ago. I then remembered other muscular pain over the years: neck, shoulder, arm—and realized all of it was on the left side of my body. Since the left is a metaphor for the unconscious, I began to wonder if I had some psychic pain that was expressing itself physically. It seemed as if the pain lessened somewhat as soon as I had this thought. I requested a dream that would help me see the trigger.

The Dream: I have moved into a very large house that is jammed with things left by the previous occupant. I wonder why I haven’t cleared it out and put my own stamp on the place. Why am I living with these artifacts of another’s life? There is so much clutter that the task seems overwhelming. I wish my friend Stephen were here to help me figure out what is valuable so I can get rid of the rest.

I discover a plushly furnished living room leading to a dining room. I go through the sideboard and find it is full of beautifully made dresses from a previous era. One is encrusted with handmade lace; another, a lovely Claire McCardell plaid. I think I might be able to wear these lovely things until I notice each is flawed: either old sweat stains at the underarms or fabric faded in spots. My friend Alex and I look through folded garments, and I am pleased they have some value.

There is so much to throw away. I wonder if I am limited to one garbage can a week or if I can fill plastic bags with the excess and have it carted away.

Interpretation:
The friends who appear in this dream have died, which is a strong clue that the dream deals with my reaction to loss—to my wanting to hold onto things from the past. Because these things are beautiful I don’t want to let them go, even though they stand in the way of my “putting my own stamp” on the life I’m now living (the house I’m in). As the dream progresses I have more energy to face the clearing out process, and by the end I’m filling garbage cans and looking for more.

Thursday, July 8, 2010

Out in the Cold


The Dream: Communal singing has begun, and Clark and I join in. A young attractive woman with short curly hair asks us if we will join the church choir in our new area. She says it’s fantastic and everyone either belongs to it or joins in the singing at the services. I see a very large choir at the front of a church where the altar would normally be. The choir is joyous and full of life. I think that with Clark’s distaste for religion it isn’t likely we’ll be joining this group.

We leave the hall and are walking outside. It is summer, but there is slushy snow on the ground, and a light snow is falling. I am comfortable as we walk through the chilly air, but I notice Clark has no gloves; his hands are bare. “You have to learn how to dress for the cold,” I tell him.

Interpretation: Again I deal with isolation. The seduction of belonging is clear; the group makes beautiful music. But my other half, as represented by my husband Clark, cannot pay the price required to join in. Again the intellect is the culprit: I cannot pretend to believe what is so demonstrably not true. I tell this part of myself that since it’s going to be out in the cold, so to speak, it better learn how to dress for it.

Tuesday, April 20, 2010

The Manikin and the Dress


The word play in this dream tipped me off to its meaning.

The Dream:
I see a manikin. It looks as if it is my size and shape. I see it again later when it has become like a mirror reflecting my dress, a velvet shift, which fits it perfectly. I point this out to my friend, who says, “Oh, you really aren’t small,” as if she had always thought I was but now sees me differently.

Interpretation:
There’s a shift in my self-image.

Wednesday, February 24, 2010

Bodice Ripper Scene 3


We don’t get the answer to any of these questions. Instead, we learn that the Lady works very hard to be modest and proper and that she refers to her husband formally in the 3rd person as “the Viscount” in public, but she is allowed to be more familiar privately. The Lady dresses very simply—plainly, even—in order to emphasize her propriety. She does not adorn herself in any way. Nevertheless, she is so beautiful that the estate workers (farm hands) fight over her. She never looks at them in order not to be seen to encourage such behavior. Meanwhile, it’s not clear whether or not the Viscount is faithful.

Interpretation: Again the Lady’s socially constrained role is emphasized. According to Tony Crisp a fight can symbolize problems with independence or self-confidence. That the Lady never looks at this is probably a strong hint from the dream that I should. A further hiccup to the needed union of the Lady (feminine aspect of my psyche) and the Viscount (masculine aspect): I’m not sure the Viscount can be trusted.

This dream has been interpreted by the well-known dream worker Jane Teresa Anderson in Episode 44 of The Dream Show